
Featured
Sons of the Sun – The Incas
The Incas appear out of nowhere and within a few decades their empire develops into the largest empire in the world at that time. They ruled over more than 200 peoples with a good 10 million people.
At that time, there was talk of a fabulous land of gold in distant Europe, arousing fatal desires there. Gold is the “tears of the sun”, as the Incas saw it. For them, the precious metal had only spiritual value and no material value.
The culture is fascinating and at the same time strange to us. The Incas also sacrificed people – preferably children – to their gods. In the eyes of the Inca, they were considered the chosen ones.
To this day, the Inca are surrounded by an aura of mystery. How could their meteoric rise succeed in such a short time? And how did a handful of Spaniards manage to bring down the empire?
Broadcast date: | 22. November 2020 um 15:50 Uhr auf ZDFneo |
Length: | 43' |
Written and directed by: | Gabriele Wengler |
Buch: Sandra Papadopoulos | |
Camera: | Hans Jakobi |
Editor: | Rainer Wolf |
Editorial advisor: | Uta von Borries (ZDF) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Brigitta Schübeler |
Producer: | Jasmin Gravenhorst |
Filming location: | Peru |
plan b: Down to the last crumb
Recipes against wasting bread
Bread is the Germans’ favourite food. Over 3000 varieties – always nice and fresh! But too much of a good thing is produced. Every year, 1.7 million tonnes of bread and baked goods end up in the rubbish. This is not only about food that is thrown away, but also about the environment. The arable land that is farmed just for the bin is bigger than Mallorca. Farmers, bakers and bread lovers are looking for new recipes for stale bread and against waste.
Broadcast date: | 30. November 2019 um 17:35 Uhr im ZDF |
Length: | 30 Minuten |
Written and directed by: | Anna Renk |
Mitarbeit: John Braun | |
Camera: | Simon Hollmann, Thomas Bresinsky |
Editor: | Sven Voß |
Editorial advisor: | Annette Hoth |
Production: | Alexander Busch, Christin Gumpert |
Line producer: | Ulrike Schwerdter |
Executive producer: | Anna Grün |
Producer: | Jasmin Gravenhorst |
Filming location: | Frankreich und Deutschland |
Nacht in der Schweiz
In our 3-part journey through a night in Switzerland from dusk to dawn, we take viewers on helicopter and drone flights across the country to visit people who are still working then. Spectacular aerial shots lend the country a mysterious beauty. Images emerge that we have never seen before. And different people who are active at night tell their stories: We are present at night ski tours, piste preparations and dog sled races in winter, accompany border guards, bird ringers, film shoots, heavy transports and street artists in summer and autumn. A high-quality series with interesting stories and great pictures.
On 27.12.2020 on SRF:
Episode 1 – Wintry Switzerland from 20:05 to 21:00
Episode 2 – Summer Switzerland from 21:00 to 21:55
Episode 3 – Autumnal Switzerland from 21:55 to 22:50
Broadcast date: | Sonntag, 27. Dezember 2020 im SRF ab 20:05 Uhr |
Length: | 3 x 50' |
Author: | Anja Reiß, Rainer Wolf, Marcus Fischötter, Bettina Pohlmann |
Luftaufnahmen: Klaus Stuhl, Fabian Jobin | |
Camera: | Thilo Hauke, René Munder, Florian Bentele, Marcel Karp, Pierre Reischer |
Editor: | Rainer Wolf |
Editorial advisor: | Michèle Sauvain (SRF), Daniel Pünter (SRF) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Executive producer: | Brigitta Schübeler, Ulrike Schwerdtner |
Producer: | Jasmin Gravenhorst |
Filming location: | Schweiz |
Productions
Small country very big
A glance at the map speaks volumes: they are easy to overlook. Sandwiched between the continent’s big players, they eke out an existence seemingly without the opportunity to develop, ridiculed for their helplessness. But they know how to preserve their very own traditions and protect the animals and plants that have become rare. Their exceptional location in often extreme mountain or coastal environments provides refuges for endangered species. This series not only celebrates the beauty of nature in the “micros” – it also aims to highlight environmental problems and present solutions.
FIVE FILMS – FIVE STATES
Each episode features a microstate: Andorra, Liechtenstein, Malta and Monaco. They are characterised by their location: Malta at the interface of Europe and Africa, Monaco with its “back to the wall” and a view out to sea, Andorra squeezed between mountains and neighbours, and Liechtenstein as a fortress in the border triangle between Germany, Austria and Switzerland and Luxembourg. But the topography also creates the backdrop for grandiose natural spectacles.
The stories of the “Micronesians” tell of the courageous efforts to preserve their natural characteristics and cultural independence.
Tuesday, 29 March 2021 on arte:
at 5.25 p.m. the episode Malta by Anne Wigger
at 6.35 p.m. the episode Monaco by Michael Gregor
Wednesday, 30 March 2021 on arte:
at 5.50 p.m. the episode Liechtenstein by Anja Glücklich
at 6.30 p.m. the episode Luxembourg by Susanne Utzt
Thursday, 31 March 2021 on arte:
at 5.45 p.m. the episode Andorra by Michael Gregor
Broadcast date: | Freitag, 12. Februar 2021 um 19.40 Uhr auf arte |
Length: | 30' |
Camera: | Detlev Konnerth, Markus Müller |
Editor: | Detlev Konnerth |
Editorial advisor: | Carolin Mayer (rbb/arte) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Martina Sprengel |
Producer: | Jasmin Gravenhorst |
The New Huntresses – Farewell to Loden Felt
Hunting is experiencing a renaissance. The number of hunting licence graduates has doubled in the past ten years. A new generation is growing up. Increasingly, young women are seeking access to nature in this way. Many of them only want to eat meat that they have hunted themselves. For them, hunting means more than freedom and adventure. It is active forest protection and thus climate protection – Fridays for Future conquers the raised hide.
Broadcast date: | Freitag, 12. Februar 2021 um 19.40 Uhr auf arte |
Length: | 30' |
Written and directed by: | Marijke Engel, Detlev Konnerth |
Camera: | Detlev Konnerth, Markus Müller |
Editor: | Detlev Konnerth |
Editorial advisor: | Carolin Mayer (rbb/arte) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Martina Sprengel |
Producer: | Jasmin Gravenhorst |
plan b: Naturally beautiful – cosmetics rethought
Cream, deodorant, lipstick: hardly anything comes closer to us. This is one of the reasons why consumers increasingly value natural ingredients, less packaging and fair production conditions.
Our cosmetics often contain controversial mineral oils or aluminium salts. They are packaged in disposable plastic. Good reasons to look for alternatives. For example, a deodorant that is 100 per cent natural and without waste. Good for consumers and the environment.
Fewer and fewer consumers want to put just anything on their skin. Instead, less chemicals and plastic in the bathroom. Marina Zubrod, who founded Matica in 2019, is also aware of this. That’s Croatian for queen bee. The name says it all, because the basis of all Matica products is beeswax. “I had major skin problems myself a few years ago, that’s when I started looking into the ingredients in my skincare products and wasn’t exactly “amused”.” The start was brilliant. Within the first six months, the company went through the roof so much that Marina Zubrod’s husband Jan quit his job and joined her company full-time. Marina provides the ideas, Jan tries to put them into practice in their own small laboratory. Their latest idea: a 100 per cent natural roll-on deodorant that still works and comes in refillable packaging. Can it work?
Broadcast date: | 13. Februar 2021 um 17.35 Uhr im ZDF |
Length: | 30' |
Written and directed by: | Anna Renk, Timm Kröger, Kimberly Budinsky |
Camera: | René Munder, Moritz Schwarz, Olof von Gawinski, Wolfgang Seehofer |
Editor: | Ramon Urselmann |
Editorial advisor: | Annette Hoth, Christian Dezer (ZDF) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Executive producer: | Anna Grün |
Producer: | Jasmin Gravenhorst |
Filming location: | Deutschland, Österreich, Kenia |
Good viruses, bad viruses
In the current Corona pandemic, the SARS-CoV-2 virus is killing a great many people and limiting life around the globe. But viruses also have good sides that we can use.
According to the common definition, viruses do not count as living beings. Nevertheless, they have a great influence on evolution and are even a part of us humans. Some virus building blocks have anchored themselves in our genome and reproduce with us.
They help us to survive. Viruses built into the human genome – so-called endogenous retroviruses – contribute to the formation of the placenta, for example.
Other viruses attack bacteria, preventing them from spreading and thus creating space for further life. This is also the case in the depths of the sea. There, viruses ensure the ecological balance. For example, they curb the growth of algae by attacking them. Or they infect disease-causing bacteria that target marine animals. So soon, viruses could be used instead of antibiotics in fish farming.
At the Bernhard Nocht Institute in Hamburg, viruses are examined, catalogued and archived. Bird flu, Zika, Ebola – a total of several thousand viruses have been completely sequenced, the actual number is probably many times higher. The Ebola virus is one of the most dangerous viruses worldwide, with a mortality rate of up to 90 percent. However, the head of virology, Stephan Günther, sees the danger for humans rather in more harmless pathogens: “Actually, one has to say that the more successful viruses are influenza, Spanish flu or now Covid – the well-transmissible viruses.” Because of their much lower mortality rate, they spread much further and thus end up killing more people than those viruses that, when infected, kill almost every infected person.
But viruses can also help heal us: Near Rome, 40 scientists are developing a vaccine against SARS-Cov-2. The researchers are using the shell of a virus they found in the faeces of gorillas as a transport capsule for the vaccine. In this way, they transform a pathogen into an effective drug. Vaccinations against black skin cancer, for example, are also already being carried out – based on viruses that attack cancer cells. The documentary “Good Viruses, Bad Viruses” shows that viruses are much more than disease-causing pathogens. They determine our existence and we can make use of their properties.
Broadcast date: | 4. Februar 2021 um 20.15 Uhr auf 3sat |
Length: | 45' |
Written and directed by: | Johan von Mirbach |
Camera: | Riccardo Giese, Rick Pennington |
Editor: | Nico Schlegel |
Editorial advisor: | Katharina Finger, Nicole Schleider (3sat) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Anna Grün |
Producer: | Jasmin Gravenhorst |
Northern Germany by night
Wie verändert sich Norddeutschland, wenn das Leben zur Ruhe kommt und sich die Dunkelheit über das Land legt? Der Film „Norddeutschland bei Nacht“ zeigt uns was passiert, während die meisten von uns schlafen.
Mit dem Hubschrauber und besonders lichtempfindlichen Spezialkameras an Bord fliegen Autor Marcus Fischötter und sein Team über blinkende Windparks, Krabbenfischer im Mondschein und Bauern, die im Scheinwerferlicht ihrer Mähdrescher Felder pflügen. Hinweg über die Häfen von Rostock, Kiel, Hamburg und vorbei an Ölplattform, Raffinerie und hell leuchtender Industrie. Überall ist nächtliches Leben. Der Norden bei Nacht ist ein schillerndes Lichtermeer.
Broadcast date: | 04. Januar 2021 um 20:15 Uhr im NDR (Wiederholung) |
Length: | 90 Min. |
Written and directed by: | Marcus Fischötter |
Luftaufnahmen: Klaus Stuhl | |
Camera: | Björn Lindenblatt, Ralf Heinze, Thomas Frischhut |
Editor: | Fabian Teichmann |
Editorial advisor: | Annette Plomin, Silvia Gutmann |
Production: | Lilia Schulz, Christin Gumpert |
Line producer: | Ulrike Schwerdtner |
Producer: | Brigitta Schübeler |
Executive producer: | Brigitta Schübeler |
Producer: | doc.station GmbH |
Filming location: | Norddeutschland |
Nacht in der Schweiz
In our 3-part journey through a night in Switzerland from dusk to dawn, we take viewers on helicopter and drone flights across the country to visit people who are still working then. Spectacular aerial shots lend the country a mysterious beauty. Images emerge that we have never seen before. And different people who are active at night tell their stories: We are present at night ski tours, piste preparations and dog sled races in winter, accompany border guards, bird ringers, film shoots, heavy transports and street artists in summer and autumn. A high-quality series with interesting stories and great pictures.
On 27.12.2020 on SRF:
Episode 1 – Wintry Switzerland from 20:05 to 21:00
Episode 2 – Summer Switzerland from 21:00 to 21:55
Episode 3 – Autumnal Switzerland from 21:55 to 22:50
Broadcast date: | Sonntag, 27. Dezember 2020 im SRF ab 20:05 Uhr |
Length: | 3 x 50' |
Author: | Anja Reiß, Rainer Wolf, Marcus Fischötter, Bettina Pohlmann |
Luftaufnahmen: Klaus Stuhl, Fabian Jobin | |
Camera: | Thilo Hauke, René Munder, Florian Bentele, Marcel Karp, Pierre Reischer |
Editor: | Rainer Wolf |
Editorial advisor: | Michèle Sauvain (SRF), Daniel Pünter (SRF) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Executive producer: | Brigitta Schübeler, Ulrike Schwerdtner |
Producer: | Jasmin Gravenhorst |
Filming location: | Schweiz |
The Druids – mysterious priests of the Celts
For a long time, only what ancient authors from Greece and Rome reported about the religious dignitaries of the Celts, the Druids, was known. Fascinating archaeological finds from recent years offer new insights into the cultic practices of the Iron Age. They allow us to draw conclusions about the importance of the druids in Celtic society. With their rituals involving mistletoe, oak woods, magic potions and human sacrifice, they still exert a great attraction on many people today. But what about this image is historically verifiable? What is pure projection? Who were the Druids really? What role did they play in Celtic society and how much truth is there in the image of the wise bearded man in a light-coloured robe with a sickle in his hand cutting mistletoe? Archaeological sites and finds in France, Germany and England reveal a new picture and even allow the assumption that not only men were druids.
Broadcast date: | in 2021 auf arte |
Length: | 52' |
Written and directed by: | Manfred Uhlig |
Camera: | Rick Pennington |
Editor: | Sven Voß |
Editorial advisor: | Dr. Peter Allenbacher (ZDF/arte) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Brigitta Schübeler |
Producer: | Jasmin Gravenhorst |
Filming location: | England, Frankreich |
Fairy Tales for the World – Hans Christian Andersen
Generations of children have grown up with his stories. All over the world, Hans Christian Andersen is known and loved as a fairy tale author. On 2 April, his birthday is celebrated as Children’s Book Day.
In doing so, he wrote for children and adults: “I tell the children while I remember that father and mother often listen, and they must be given something for the mind.” He did. His tales, unlike the Grimms’ fairy tales, are often deeply sad and without happy endings. The mermaid who transforms herself into a human being for her prince does not get him in the end. The stalwart tin soldier, after a mad odyssey, ends up back in his sheltered home, but unfortunately also in the oven in the end. And The Girl with the Matchsticks, who freezes to death on a cold winter’s night, reads like a bitter social critique. The fairy tales often reflect Andersen’s own experiences.
For the Danish fairy-tale poet did not have an easy life. He grew up in poor circumstances in the small town of Odense. To escape the misery, he set off for Copenhagen at the age of just 14. Here he seeks his fortune and wants to become famous. After numerous disappointments and the search for his destiny, he becomes a successful writer. Of course, he only writes the fairy tales out of financial necessity. From being a lucrative source of income, they become his most important literary works.
The documentary tells of the eventful life of the Danish national poet and delves into the exciting world of his fairy tales.
Broadcast date: | Samstag, 19. Dezember 2020 um 20:15 Uhr auf arte |
Length: | 52' |
Written and directed by: | Sabine Bier |
Camera: | Moritz Schwarz |
Editor: | Doreen Buchholz |
Editorial advisor: | Dr. Peter Allenbacher (ZDF/arte) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Producer: | Jasmin Gravenhorst |
Filming location: | Dänemark, Deutschland |
The 2000s – Decade of Division
The first decade of the 21st century is drawing new divides. In Germany and the world. Terror and war characterise the decade just as much as the growing gap between rich and poor, winners and losers of globalisation. On the other hand, the digital revolution is turning our everyday lives upside down. The internet is becoming commonplace, the smartphone our constant companion.
While the 90s were a decade of German navel-gazing, the noughties bring us back to the political world stage. From the attacks on the World Trade Center to the war in the Hindu Kush and the great stock market crash.
2000-2001 Terror War and TV Trash
The feared millennium bug does not materialise. The start of the new millennium is rather leisurely. The CDU, shaken by a donation scandal, treats itself to a woman as its new chairperson, Angela Merkel, and Berlin gets a gay mayor. Klaus Wowereit is one of the first prominent politicians to admit his sexual orientation. The feuilleton works off the RTL container show “Big Brother” and the sports world works off the designated national football coach Christoph Daum. He resigns because of his cocaine use. The big bang comes in 2001, when the terrorist attacks of 11 September mark a historic turning point. From then on, war and terror dominate the decade and bring Germany back onto the world political stage.
2002-2004 Force of nature and Nipplegate
The Bundeswehr fights alongside America in Afghanistan against the Taliban, but Germany does not take part in the war in Iraq. Dictator Saddam Hussein is toppled in the process. Nevertheless, peace does not come to the Middle East. Janet Jackson’s bare breasts arouse America more than the torture pictures from the US prison in Abu Ghraib. And after the CDU/CSU finally found a candidate for chancellor in Edmund Stoiber, the search for Germany’s superstar began on TV. In 2002, Stoiber loses his composure against incumbent Gerhard Schröder and national football coach Rudi Völler in an interview with sports reporter Waldemar Hartmann. The flood of the century in Saxony and Bavaria is followed by the tsunami disaster in the Indian Ocean. Mourning clouds Christmas in Germany in 2004.
2005-2007 – Summer fairy tale and chancellor’s riot
Hartz IV is the big domestic issue in the middle of the decade. It tears the SPD apart and ends the Red-Green era. In autumn 2005, Angela Merkel becomes Chancellor for the first time. We are already Pope by then. But what is still missing is another World Cup title. In 2006, a new, young team is to win the World Cup in its own country under the direction of Jürgen Klinsmann. Germany is experiencing a black-red-gold summer fairy tale, which not even the missed final can spoil in the end. However, anyone hoping that the great jubilation will continue at the Tour de France will be disappointed. The German Telekom star Jan Ulrich is convicted of blood doping and it soon becomes clear that this is only the tip of the iceberg. The big innovations come from overseas. The first smartphone is made in the USA. In 2007, the iPhone begins its triumphal march around the globe and fundamentally changes our communication behaviour.
2008-2009 – Obama frenzy and banking crash
The fat years are over. Organic is the new magic word and becomes the trademark of urban lifestyle at the end of the decade. In any case, healthy and cultivated food is booming. After the casting shows, the cooking shows conquer the German screens. Completely against its will, the global economy also goes on a diet in 2008. A huge real estate bubble bursts in the USA. First the banks are hit, then the real economy. Short-time work and scrapping premiums are supposed to slow the downturn in Germany. But the end of the decade also brings new hope. Helene Fischer gives German pop music a new lease of life. And after George W. Bush, Barack Obama is the first African-American to enter the White House. With Obama – and not only the Nobel Prize Committee hopes so – the decade marked by terror and war might find a peaceful end after all.
Regina Halmich, Sönke Wortmann, Barbara Hahlweg, Sarah Wiener, Jakob Augstein and the front women of the bands “MIA” and “Juli” accompany us on this equally entertaining foray through the 2000s.
Broadcast date of all 4 episodes on 29.11.2020:
20:15 – 21:00: 2000-2001 – Terror War and TV Trash
21:00 – 21:45: 2002-2004 – Force of nature and Nipplegate
21:45 – 22:30: 2005-2007 – Summer Fairy Tale and Chancellor’s Riots
22:30 – 23:15: 2008-2009 – Obama frenzy and banking crash
Broadcast date: | Sonntag, 29. November 2020 ab 20:15 Uhr auf ZDFinfo |
Length: | 4 x 43' |
Written and directed by: | André Meier |
Camera: | Thomas Frischhut |
Editor: | Thomas Kleinwächter |
Editorial advisor: | Evgenia Ploch, Susanne Krause-Klinck, Christian Deick (ZDF) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Martina Sprengel |
Producer: | Jasmin Gravenhorst |
Filming location: | Deutschland |
The forest rescuers
250 years ago, the forest was still healthy in most European countries. But that is over. The habitat for countless animal and plant species is in danger. Yet we need it. It provides us with valuable raw materials, stores water and ensures a good climate.
For some years now, drought and heat have been taking their toll on the trees, pests are multiplying rapidly, illegal logging is lining the pockets of criminal organisations – and even state-subsidised clear-cutting is increasing the profits of industry. That is why there are more and more people fighting for their forests. In our series “The Forest Saviours” we meet people of conviction who are closely connected to the forest and do everything they can to preserve it. We meet the Counts of Bernstorff, who are using innovative methods, courage and experimentation to transform their forest so that it can survive the climate crisis. In Finland, we meet activists who are fighting against deforestation for the paper industry and for the last reindeer herders. We show what Susanne and Pierre are doing in the French Massif Central to fight monoculture and accompany Knut Sturm, who shows what a healthy forest can look like in the Lübeck city forest. And finally, we accompany people in Romania who have declared war on the timber mafia.
Broadcast date: | Mittwoch, 18. November 2020 um 23:00 Uhr im WDR |
Length: | 45' |
Written and directed by: | Vivien Pieper und Johannes Bünger |
Camera: | André Krüger, Dunja Engelbrecht |
Editor: | Sören Schlotfeldt |
Editorial advisor: | Barbara Schmitz |
Production: | Alexander Busch, Christin Gumpert |
Line producer: | Ulrike Schwerdtner |
Producer: | Martina Sprengel |
Producer: | Jasmin Gravenhorst |
Filming location: | Frankreich, Deutschland, Rumänien, Finnland |
Sick from the heat? How the climate is changing our health
Climate change is the big issue of our time. It is omnipresent, present in the media and part of our everyday lives, because it poses a high risk to the current and future health of the population. According to forecasts, the average temperature in Germany alone will rise by 1.0 to 1.3°C by 2050 and by 3.7°C by 2100. The frequency and intensity of heat waves will increase in Central Europe. If nothing is done, five more annual heat waves are expected in northern Germany by the end of the century, and as many as 30 in southern Germany. This has consequences for us: because climate change alters our entire ecosystem; and that affects our health. Rising temperatures, for example, promote the spread of the Asian tiger mosquito and other vectors of infectious diseases that were previously unknown here. They also change the biology of allergenic pollen, lengthening the duration of pollen flights and increasing the amount of pollen, which increases asthma and allergic reactions. Higher temperatures can lead to algal blooms by cyanobacteria (blue-green algae) in lakes and the Baltic Sea, which can cause skin irritation. In addition, warming of the Baltic Sea is expected to increase the risk of Vibrio infections. – In the meantime, it is no longer just schoolchildren worldwide who are protesting for effective measures to protect the climate. People are concerned: because it is no longer just about changing our environment, it is directly about our health.
But: To what extent does the environment make us sick and what developments must we expect in the future? – The 45-minute documentary “Is our climate making us sick?” asks questions and provides answers. It shows what effects climate change is already having on human health, what problems and risks we are confronted with in central Germany. But the documentary also wants to show opportunities and solutions to problems; ways to stop climate change and adaptation strategies to the consequences of the changed climate. We talk to scientists and researchers; to people who work every day to better adapt themselves and ourselves to the changed environmental conditions.
Broadcast date: | Sonntag, 15. November 2020 um 22 Uhr im MDR |
Length: | 45' |
Written and directed by: | Heike Dickebohm, Uta Meyer |
Camera: | Robert Cöllen, Matthias Müller, Fabian Jobin |
Editor: | Gunnar Refardt |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Executive producer: | Ulrike Schwerdtner |
Producer: | Jasmin Gravenhorst |
plan b: The good milk – benefit for cows, climate and customers
Cappucino, butter, cheese sandwiches: milk is in everything. It can cost a bit more: consumers are increasingly attaching importance to fair wages for farmers, animal welfare and the eco-balance.
Farmers can hardly live off the low milk prices. Factory farming is cruelty. Cattle are considered climate killers. Good reasons to look for alternatives. “You’re the boss here” is the name of an initiative in which everyone decides for themselves how much a litre of milk should cost.
Consumers were able to vote on this in an online survey. Every click had consequences for production: more animal welfare, more regionality, more money for the farmer – all this was immediately reflected on the price tag. Result: an above-average price for high standards. “We are prepared to pay more for our milk if we can be sure that it contains what it says,” says Barthelmé.Now his milk is on the first supermarket shelves, and it will be exciting: do consumers really buy the milk they have chosen online?
Almost every day a baby calf is born on the farm of farmer Lenz in Saxony-Anhalt.
A high-performance farm with 350 cows. And yet: seeing mother and calf take their first steps together is always a moment of happiness for him. “We farmers don’t want to keep our cows badly. It’s just that we often lack the money for a good life,” says Frank Lenz. Nevertheless, the forty-year-old wants to keep going, and he has big plans for the conventional dairy farm, which he is running in the eleventh generation. His first step: The calves stay with their mother after birth and are not separated from her immediately, as is usually the case. They are then allowed to drink from udders for a whole three months – instead of from buckets in calf pens. Milk that the farmer can no longer sell. But he is determined to prove that it is possible: more animal welfare, even on a large farm.
Mudar Mannah was on his way to becoming a successful surgeon when he decided to dedicate his life to another task after all: as a climate saver. He wants to help reduce the emission of climate-damaging gases – especially methane, which is many times more harmful than CO2. Cattle produce huge amounts of it. Mannah was therefore looking for a plant-based alternative to cheese. “One that tastes good,” he says. That’s how he came up with the cashew nut. He now makes vegan Camembert from it, and with a good eco-balance, despite the transport of the nuts from Vietnam. “We simply have to rethink,” he says on the subject of climate change, “our planet resents us. We can’t go on like this.”
Produce and consume more consciously – not at the expense of the environment, animals and farmers: That’s what it’s all about. Good milk, that’s what makes it!
Broadcast date: | Samstag, 14. November 2020 um 17:35 Uhr im ZDF |
Length: | 30 Minuten |
Written and directed by: | Anna Renk |
Camera: | Simon Hollmann, Jonny Müller-Goldenstedt |
Editor: | Christian Gruber |
Editorial advisor: | Annette Hoth, Christian Dezer (ZDF) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Anna Grün |
Producer: | Jasmin Gravenhorst |
Filming location: | Deutschland, Irland |
Trump, my American family and me
Ingo Zamperoni on the road in a torn country
Ingo Zamperoni knows the USA like few others, not only because he spent formative years here as a student and later reported on Americans as a US correspondent. The presenter of the ARD Tagesthemen is married to Jiff, an American, and has a large family in the States. And they are just as divided about conservative President Donald Trump as the whole country. Father-in-law Paul elected the controversial Republican to the White House. Zamperoni’s wife Jiff is as appalled by this as her mother Lynn. Shortly before the presidential election, Ingo Zamperoni wants to find out why not only his family-in-law but the whole country is so torn apart. Zamperoni embarks on a family-political search for clues. He wants to understand what excites his father-in-law Paul about the blustering president? How does he manage to see past the many lies, inconsistencies and lapses? And how does his mother-in-law’s second husband, who is black, deal with racism in Trump’s America? And perhaps even Zamperoni’s wife and mother-in-law, the Democrats in the family, will have to concede certain successes of his policies after four years of Trump? And: how will the relatives vote in November?
Through his personal approach, the celebrity anchor brings us closer to the world of American thought in a unique way. An attempt at explanation that makes you think.
Broadcast date: | 2. November 2020 um 20:45 Uhr in der ARD |
Length: | 45' |
Written and directed by: | Ingo Zamperoni, Birgit Wärnke |
Camera: | Martin Kobold, Birgit Wärnke |
Editor: | Fabian Teichmann |
Editorial advisor: | Barbara Biemann (NDR) |
Production: | Alexander Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Martina Sprengel |
Producer: | Jasmin Gravenhorst |
Adventure Harvest
When a harvester takes six tonnes of beans from the field per hour, when a complete 32-hectare wheat field is mown within three hours, or when a planting machine alone puts up to one million iceberg lettuce plants into the ground per day – then it is high season in northern German fields.
Behind these gigantic dimensions are farmers who have to struggle every year with cold snaps, record heat, too much or too little rain. And as if that wasn’t enough, in 2020 there was also Corona. Thousands of harvest workers could not enter the country, fields could not be cultivated and asparagus could not be harvested. Would farmers in northern Germany be able to harvest the usual quantities this year, guarantee supplies, all at stable prices? Or would Corona mean ruin? 2020 poses great challenges for the farmers.
Vanessa Kossen and Arne Jessen accompanied large and important producers for a season and got to know people who grow vegetables, fruit and grain with passion, a willingness to take risks and a love of the product. Things that we can buy as a matter of course in the supermarkets every day.
Funded by nordmedia – Film- und Mediengesellschaft Niedersachsen/Bremen mbH.
Broadcast date: | Sonntag 18. Oktober 20:15 im NDR |
Length: | 1 x 90' |
Written and directed by: | Sylvia Berndt |
Moderation: | Vanessa Kossen, Arne Jessen |
Camera: | Björn Lindenblatt, Reiner Bauer |
Editor: | Matthias Fey |
Editorial advisor: | Ralf Kosack (NDR) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Executive producer: | Brigitta Schübeler |
Filming location: | Norddeutschland |
The Treasure in the Desert Sand – Turkmenistan’s Ancient Heritage
Turkmenistan was long considered the poorest region of the Soviet Union. It is probably one of the most unknown and closed countries in the world. Today, oil and natural gas have made the country in western Central Asia rich. For the first time in 10 years, a film team was able to visit impressive excavation sites unhindered and accompany international research teams as they worked on sites that had been “forbidden” for a long time.
4000 years ago, a centre of power of the ancient world was located in Turkmenistan. Although flourishing at the same time as the advanced civilisations of Mesopotamia and Egypt, the ‘Margiana’ empire was completely forgotten. Only recently did archaeologists discover palace buildings and magnificent burial treasures in the middle of the Karakum desert in the former capital Gonur Depe.
Spectacular aerial photographs show the dimensions of the “lost” metropolises in a hostile environment. An international team of researchers is also uncovering monumental fortifications in neighbouring Ulug Depe. The ruined cities of Merw and Köneügentsch are declared World Heritage Sites by UNESCO.
Suddenly, Central Asia comes into the focus of science and the media. Why have powerful empires risen and fallen in Turkmenistan since the Bronze Age? DNA analyses prove a high mobility of the population, long-distance contacts reached as far as India, the Urals and the Mediterranean. The Silk Road between China and Europe became the world’s most important trade route for millennia and made Turkmenistan an important hotspot in history.
Broadcast date: | Samstag, den 3. Oktober 2020 um 21:10 Uhr auf arte |
Length: | 52' |
Written and directed by: | Michael Gregor |
Fachberatung: Prof. Hanno Schaumburg | |
Camera: | Riccardo Giese |
Editor: | Kjell Peterson |
Editorial advisor: | Peter Allenbacher (ZDF/arte) |
Production: | Alex Busch, Christin Gumpert, Marius Meckl |
Line producer: | Ulrike Schwerdtner |
Producer: | Jasmin Gravenhorst |
Filming location: | Turkmenistan |